In this style of the artist, is reflected the predominence of structuralist, non-representative art. The mystic and contemplative attitudes find a structural articulation here. However this is not in line with the hard edge structural development which developed in the latter half of the 20th century. Rather the softer contours and the technical use of paints and brushes give the notion of an invisible reality and the basic unity of all being. There is an elucidation and at the same time consolidation of rational(realistic and structural) and also an irrational(romantic and symbolic) points of view.