The focal point of my artistic production is light. Painting and taking photos are two aspects of the same inspiration given me form natural light in its spectacular and evanescent exhibitions.
In bright and sunny days or before a thunderstorm, in certain occasions I feel a compelling need to cache the beauty that I see around me. Photography is cure to this, a hunt made with my heavy backpack full of lenses and the energy in my head, a struggle made of skill, technology and passion.
My approach to painting is the same of Monet and other impressionist: try to portrait the light cast form the scene rather than the objects in the scene. The first consequence of this approach is that the same subject leads to different paintings when light conditions change, but in many cases the subject of the painting is the light itself, and the scene just a screen to unfold its variety and beauty