giorgia's Profile

From: Greece
Joined: January 25, 2008

About giorgiaclaire:

www.equilibriarte.org/giorgiaclaire


VANITY STAR

They are, once again, to the new production of Giorgia Claire and once again me meeting innanzi to the inner search of a human being that expresses therefore its wants of affirmation of from a far away every individualismo generic pretension of universalità. Nearly a need, yes, a need of absolute. But not of indistinct participation to one indifferenziata perfection but a simple encounter with its I. E' all "... voglio to remain free....". This is what riecheggia in front of splendid burlaps. Freedom, a strong sense of freedom. Above all free of being same himself. Dense works of memory. Every burlap makes that every trace turns out sedimentata, absorbing and transforming that structure is made, insomma. The fragments of the spaces that emerge like a passed present. Like flares at times blinding of a moment. As a magma of threads that are circulated continuously, the memory persists and continues, digs in the deep one in order to interpret outside, already seen from some part. The shapeless one in such a way becomes shape; the present time reassumes passed present and; the memory becomes part in the work making oneself echo of one be of mind that invoca possible a future ideal. Always in the balance between inside and outside, the work then listens to the noises of Hush in contrast with the external din. In this contrast, in this appearing paradox is inborn the rarefied magic of its to paint. Giorgia watches the walls scrosta you, the intonaci slabbra you, evokes the shadows that hide in the angles oxen of its I. Once discoveries, wait for that the light irrompa from the high in order to crush of the compactness, to diradare fogs, yes from being able to reveal the secrets that those shadows enclose. And like if it wanted to block the time, indeed, it is not like if it wanted to create an action field in order to upset accustoms it them to pass of the minuteren, the hours, the seasons. E' just from those angles oxen that the heat is diffused and spande, vanishes like the contour of a memory. E' like evoking the complex of Novalis, "dreams the warm land intimità as others dream the extension of the sky". Its language alludes therefore to indefinite intricato and to bloom of life. Life, that it is the only sure thing that the artist can perceive because same it is been involved to you and dragged. And with lucidissima a vertigo of it it pours the outcomes on the burlap. From good alchemist, it assembles, it stratifies the matter from its hidden fibers drawing a thin mosaic of evocative poetiche impressions of the truth. Aware that manualità is single process that you carry to the conscience of the art, Giorgia through painting describes if same through tensions structural that then leaves to intuire with the grumosa softness of the matter, with its rugosità and its scalfiture, with the signs that crosses it and the accumulations that of it emphasize the plasticity. And when it spreads itself for zone, when compatta(i white men with the black ones, the yellows with the orange, red) here the small lacerations that interrupt the distance. Small letters craters that open like light buttonholes the ready bubbles to explode here. Incurante of a modernismo that too much affrettatamente has meant to set aside the season of the informal one, Giorgia alive therefore its personal tradition second the ways of an own intellectual charge translate the emotions in pages of those lived that it is lived its. Along and slow job of drying of the matter it elaborates then all, yes to render the work expressive car, opened to infinity of horizons in which the images they are made metaphor of problems generates them, placing in evidence reflections on the sense of existing and flowing of the time. In this way its attempt catches up liberations tutt' other that flattened on not ended the gestuale one and vivacizza with with the effect of brulicare, fermenting and to trepidare of the matter. The repertorio that it us delivery becomes therefore a repertorio cargo of suggestions and emotional pulsioni. Everyone of we will be able you will be able to be coupled, everyone of you will be able to acknowledge.
Dr. Claudio Lorenzoni