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Comments:

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michael amado:

Hello my dear friend, Like to wish you and your family a Happy New Year! Best wishes! Michael

Posted Dec 28, 2010 10:21pm.
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Alan Taylor Jeffries:

Amazing work

Posted Jul 18, 2010 7:56pm.
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alizaart:

Beautiful work, Carlo! I like your layering of colors and use of textures. My best regards, Aliza

Posted Jul 10, 2010 2:11pm.
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Sandy McFarlane:

Great selections looking forward to seeing more of your work. Sandy

Posted Jul 9, 2010 11:00am.
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Martin Koetsier:

Lovely work...love your style!

Posted Jul 9, 2010 10:33am.
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Ridha :

Excellent works !!!

Posted Jul 8, 2010 8:34am.
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Basant Soni:

Wonderful art. pleasing colors & composition

Posted Jul 7, 2010 10:11pm.

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Artist_photowww
From: United States
Joined: July 07, 2010


About cernande:

Developed a passion for art and music at a young age. By the time he reached his teens, he already mastered the conventional techniques of painting and drawing. His interest in the visual arts deepened as he matured and began to travel, and his formal training expanded beyond Latin America to the United States and Europe. Although his reputation continued to grow, Ernande became increasingly uncomfortable in solo or group exhibitions, which he compared to a competitive sporting arena.
After his last art exhibition in 2006, he devoted his time solely to the studio in southern California.

ERNANDE'S work is distinguished by a rigorous concern with pictorial structure, spatial illusion and color relationship; his subtly abstract paintings, though shaped within a some what realistic or formal structure, are like improvised riffs of colors and shape that explore nuances of patterns, layers and visual rhythms. His unique style combines European modernist influences (Hans Hofmann and Paul Cezanne; Latin American artists Fernando De Szyszlo, Rufino Tamayo) and pre-Columbian themes from his countrie's own indigenous cultures. Each new viewing of his work reveals fresh discoveries.

Artist Statement:

On Content

I am interested in the tension in composition, achieved through the handling of paint and juxtaposition of color, like the interplay of notes or chords in music.

On Process

The development of a painting is built up in stages when I add a new element it calls for changes elsewhere on the canvas. I like to rework continuously. The painting may repeatedly dissolve and transform itself in unexpected ways. But at each stage it must function as a whole organism.
Only then I can add to it. If a painting loses its unity, I have to take it back to the point where it was still unified before I can go on. The work is difficult. Each painting presents unique problems.

On Subject Matter

Pictorial structure, spatial tensions and color relationships, interests me.


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