Francesco Venier's Profile

michael amado:

Hello, my dear friend, nice to meet you, very much like your great works , I wish you and your family a Happy New Year! Health! Michael Greetings

kikos papadopoulos:

Complimenti Francesco!!!!!!!!!

Francesco Venier:

Grazie a tutti! Ho il piacere di mostrarvi i filmati originali, relativi due ore di programmi sky, dedicati alla mia arte. http://www.francescovenier.it/ita/video1.html http://www.francescovenier.it/ita/video2.html

Francesco Venier:

victor peralta:

francesco, muy buena obra muy laboriosa e imaginativa.

LoiHongDiep:

congratulation! you have attractive works

Izano:

nice work !!

Roseanne Jones:

Great strong, vibrant art!

JENNIFER HERROLD:

Oh, I really like these. You paint fish so beautifully. I used to go ice fishing in Northern Michigan. But these are kind of Art Deco/space age. When you are in a shanty the ice glows beneath you while the rest of the space is dark. You can see the fish swim by.

José García y Más:

Hola Francesco, grazie tanto per la amicizia !!!! Saluti del Mare Baltico, José

Francesco Venier:

“How do you paint Mr Venier?” This is one of the questions people often ask me. All I use to paint is English synthetic enamels, 80 different colours ready to use (some shiny, some dull) which I mix to create other new colours while I paint. My enamels can be used on the canvas as they come in little jars or they can be painted and then dried by means of a source of heat. I paint on canvas glued onto a 5 millimetre thick wooden plank. The biggest size of these canvases is 40 centimetre high and 50 centimetre long. I use more canvases one next to the other for bigger paintings. Very thin brushes are essential for my freehand drawing . Given the different reactions of enamels once they have been painted (some stay well inside the lines, others need a second coat as they consist of more liquid, etc.), I have to, and I choose to, paint on a horizontal desk. I also use a strong, direct source of lighting. In fact, artificial light is the main source of light for my work. I always stand when I am painting. My painting is slow. It takes a lot of time, patience, and daily training of my hand (at least 5 or 6 hours a day). For me to paint one of my 40 x 50 centimetre canvases, it takes approximately 120 up to 150 hours of hard work for planning, drawing and painting. This possibly explains why I feel so attached to my paintings, and why it is so sad for me to be separated from them! Francesco Venier

Mo:

Fantastico trabajo,Enhorabuena!!

Mike McGlothlen:

Your world is beautiful! Great work!

Francesco Venier:

Thank you very much! I'm very happy for yours opinions about my works. I'm sorry for my english!!!!!!!!!!!!!!!!!!!! Bye bye Francesco Venier

bethpadillo5:

Your works are very beautiful, very inspiring. I want to learn from your style. Let me visit your website and see more of your works.

Ridha :

Ciao Francesco !! Il vostro lavoro è molto impressionante !! Vi auguro successo e buone.(Mi dispiace, ho dimenticato di lingua italiana).

damiano ferrara:

benvenuto Francesco, mi piace il tuo tratto. Ciao a presto

walter togni:

Francesco benvenuto su Artbreak, Complimenti per le tue opere,mi pice il tuo stile,molto ordinato e preciso,accostamento cromatico mraviglioso.